The Funeral of the Cow, a post-modern drama of the post-modern, creates a melancholic satire about trans-species, a hypnotizing world of dramatic, melodramatic and post-dramatic narratives that delve into the essence of humans, non-humans and the rest of us.
THE HOMOPHOBES, A CLOWN SHOW (2011)
A misunderstood miracle shakes a conservative congregation’s values to its core: their beloved pastor becomes the center of a spectacular scandal. The resulting firestorm will forever shatter their notions of sex, gender and intercourse between animate beings. A transcendent trans-comedy of errors featuring mad ministers, Saturdayanic and divine interventions, confused angels and maybe even the antichrist.
THE FURY OF THE GODS (2010)
The Fury of the Gods is an exercise in pop blasphemy. An ecclesiastical experiment in heathenism. A sharp, biting satire that skewers the sacred. Written during the dark era of Bush’s government and the ascent of the right-wing theocracy in the US. this performance looks at and satirizes the center from the point of view of the periphery, by claiming a right to self- representation onstage.
The unpatriotic act: Homeland inSECURITIES (2007)
The unPatriotic Act: Homeland inSecurities is a solo performance on the spectacles of nationalism and homophobia that combines political satire and dark humor to unveil the links between the horrors unleashed by the repressive military dictatorship in Argentina and the current Bush regime in the United States.
The Idiot King (2006)
The Idiot King is about the Sanctity of Marriage and policy making. In the play the Idiot King and his Court discuss several issues affecting the world like Satan, global warming, the sanctity of marriage, abortion, and evil. The discussions are embedded within Christian religiosity, biased logic, and irony. The parody includes real quotes from some of the ruling discourse, making it difficult to tell them apart from the jokes.
The Values Horror Show (2005)
The Values Horror Show was written as a response to the 2004 US election campaign ran by the Neo-conservatist agenda that claimed to protect “family values” and “the sanctity of marriage.” While proclaiming themselves as defenders of traditional values in America, the Neo-conservatists did not intervene in matters of murder, war, poverty, and genocide that came along. Throughout the play, American traditional values are interwoven with the current policies against ethnic minorities and other marginalized sectors of American society.